{"title":"Chamber","description":"\u003cp\u003eChamber music for 2 or more players.\u003c\/p\u003e","products":[{"product_id":"source","title":"Source","description":"\u003ch3\u003eSource\u003c\/h3\u003e\n\u003ch4\u003eBy Wynn-Anne Rossi\u003c\/h4\u003e\n\u003ch4\u003e\u003cem\u003eIn Three Movements for Two Pianos, Early Advanced, 24 pages\u003c\/em\u003e\u003c\/h4\u003e\n\u003cp\u003e\"Source\" is a three movement piece composed for a late intermediate to advanced piano duo. \"Source\" is for Kevin Olson and Emily Ezola and was commissioned by Utah State University in celebration of their Year of the Woman in 2020.\u003c\/p\u003e","brand":"Wynn-Anne Rossi","offers":[{"title":"Default Title","offer_id":42579566723330,"sku":"","price":25.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/1796\/5314\/products\/Source-DigitalSheetMusic2.jpg?v=1648408191"},{"product_id":"forest-rituals","title":"Forest Rituals","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eForest Rituals, by Aaryn S. Ricucci-Hill\u003c\/h3\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eA trio for flute, cello, and piano, Advanced, 52 Pages\u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eForest Rituals\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2016, rev. 2017) is a piece with various layers. On the surface, it is a trio based around the image of a pagan ritual occuring at the setting of the sun and the rising of the moon, full of life, dance, reverence, and mystery. On a deeper, more personal level, it is a piece about new beginnings. Ricucci-Hill wrote the piece for the Zodiac Music Academy and Festival in Valdeblore, France which was their first international performance as well as their first music festival. Upon returning, the piece was revised utilizing the knowledge and experience gained from the festival, which foresaw a shift in their compositional voice. \u003c\/span\u003e\u003ci\u003eForest Rituals\u003c\/i\u003e\u003cspan\u003e was awarded 3rd in the 2017 Abundant Silence Composition Competition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aaryn S. Ricucci-Hill","offers":[{"title":"Default Title","offer_id":42862465057026,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/1796\/5314\/products\/ForestRituals-6_watermark_5_-1.png?v=1663958966"},{"product_id":"piano-trio-no-1","title":"Piano Trio No. 1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePiano Trio No. 1\u003cbr data-mce-fragment=\"1\"\u003eby Ayumi Okada\u003c\/h3\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eFor Piano, Violin, and Cello, Advanced, 22 Pages\u003c\/h4\u003e\n\u003cp\u003ePiano Trio No. 1 is a tumultuous collage of emotion by Ayumi Okada.\u003c\/p\u003e\n\u003cp\u003eThis piece was inspired by the folk legend and Grimm Fairy tale, The Pied Piper of Hamelin. Each instrument takes on a different character from the story: the violin plays a motive that represents the irresistible melody of the pipe, the cello represents the emotionless march of the children led by the melody, and the piano plays another motive that expresses the inner emotional conflict of the piper.\u003c\/p\u003e\n\u003cp\u003eThe preparation and performance of this piece are sure to be an enjoyable challenge for any early advanced to advanced piano trio!\u003c\/p\u003e","brand":"Ayumi Okada","offers":[{"title":"Default Title","offer_id":43541377876226,"sku":"","price":28.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/1796\/5314\/products\/ScreenShot2023-01-26at5.45.39PM.png?v=1674777631"},{"product_id":"basquing","title":"Basquing","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eBasquing, by Aaryn S. Ricucci-Hill\u003c\/h3\u003e\n\u003ch4\u003eFor Violin and Piano, Advanced, 16 Pages\u003c\/h4\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eIn 2022 I was commissioned to write a piece which would accompany a proposal submitted to the College Music Society conference in Boise, ID. Part of the proposal suggested music that celebrated the rich musical heritage of the Northwest. In looking around at what that meant, I discovered a curious fact about Boise: it has the only Basque heritage museum in the country. Suddenly the wheels got to turning! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBasquing (2022) seeks to invoke... bask, if one will, in the sounds and feelings of another time and place. The inspiration of the piece comes from the Basque region of France with quotations from folksong, fiddle music, and a general vibe of French impressionism. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece opens with the folksong Atzo Goizean, the lyrics to which invoke the folksy elements of village living (talking about waking to the thrush’s song, fathers arranging marriages, etc.). The urge to ‘word paint’ the folk song with it references to thrushes and partridges, is tempting, but the urge was avoided in this case, instead opting for a general “vibe”, or feeling. The next section avoids quotation altogether, instead opting to steep into the mystique environment created before. The last major portion of the piece utilizes what was billed (to me at least) as a Basque fiddle tune (the title lost as it seems the scholarly research on the subject and tunes that comprise the genre are lacking even by those who claim to have some knowledge of it). Assuming the best, however, the fiddle tune quoted in Basquing is meant to be a musical representation of familial resemblance to the fiddle music of the Pacific Northwest and how folk music of all varieties is at one time so specific yet at the same time broad in its understanding across cultures. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCommissioned in 2022 by Arthur Houle (pianist) and Joung Hoon Song (violinist) for the Pacific Northwest College Music Society Conference 2023 in Boise, ID and premiered at said conference on March 17th, 2023. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aaryn S. Ricucci-Hill","offers":[{"title":"Default Title","offer_id":43688891908354,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/1796\/5314\/files\/Basquing_w.frontmatter_-5_watermark-1.png?v=1682828595"},{"product_id":"saxophone-sonata","title":"Saxophone Sonata","description":"\u003ch2\u003eSaxophone Sonata, by Alexander Liebermann\u003c\/h2\u003e\n\u003ch4\u003eFor Alto Saxophone and Piano, Advanced, 12 Pages\u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“The Saxophone Sonata by Alexander Liebermann is a good example for subtle storytelling in contemporary music. In a unique style that, to my ears, perfectly reflects his Paris, Berlin, and New York background, Alexander gives the performers the opportunity to unfold their full potential by letting them express a broad variety of moods and colors. Thus, the listeners are taken into an eclectic ‘short story’ – a story that is remembered for a long time.”\u003cbr data-mce-fragment=\"1\"\u003e─ Johannes Ernst, Saxophonist\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Alexander Liebermann’s Sonata for Alto Saxophone and Piano is a great new addition to the saxophone’s recital repertoire. Idiomatically written – both in terms of style and technique – it is kept in a concise rhapsodic one-movement form and offers a well-balanced and contrasting display of drama, lyricism, and virtuosity. In the best sense of the word, it is a cool piece with big city flair. It is modern, but accessible. It has hints of jazz, but explores such colors with class and refinement. It is fun to play and thrilling to listen to.”\u003cbr data-mce-fragment=\"1\"\u003e─ Henning Schröder, Saxophonist\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Alexander Liebermann","offers":[{"title":"Default Title","offer_id":43755781914882,"sku":"","price":24.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/1796\/5314\/files\/p.1_-Sonata---Digital-Sheet-Music.jpg?v=1688163818"},{"product_id":"queer-turquoise","title":"Queer Turquoise","description":"\u003ch3 data-mce-fragment=\"1\"\u003eQueer Turquoise, by Aaryn S. Ricucci-Hill\u003c\/h3\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eFor Alto Saxophone, Piano (Grand \u0026amp; Upright w\/ Practice Pedal), Advanced, 11 Pages\u003c\/h5\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eQueer Turquoise \u003c\/span\u003e\u003cspan\u003e(2022) is a piece with some subtle hints of a concept: that queerness is often akin to a kind of magic. Magic and magical imagery have always been a part of queer imagery and culture, whether in the adoption of the mythical fairy as a sort of mascot or through the witch trials of the Lavender Scare, or the witch-like powers of seduction gay man in particular were said to have had over the sons of suburbanites. The original pride flag even included a stripe which stood for magic: turquoise. Queer people have always found a keen way to take something ordinary, and by imparting their own brand of spell-casting, transfigure it into a thing that is new, spectacular, and compelling. The idea of this piece is meant to capture even just a bit of that glamour by surprise; sprinkled with hidden musical incantations and riddles, helping to craft a brew of queer tinted elixir that one may become intoxicated by. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQueer Turquoise \u003c\/span\u003e\u003cspan\u003ewas commissioned as part of the I Exist Project by saxophonist Nick May, to be a part of a multi- volume album of music for saxophone by queer composers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNote: A version for single piano is also available.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aaryn S. Ricucci-Hill","offers":[{"title":"Original (2 piano)","offer_id":44780569788674,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Single piano version","offer_id":44780569821442,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0608\/1796\/5314\/files\/QueerTurquoise_FullScore_original_-pages-4_watermark-1.png?v=1713641767"}],"url":"https:\/\/abundantsilence.store\/collections\/chamber.oembed","provider":"Abundant Silence","version":"1.0","type":"link"}